You see this full-featured metronome in all our bass and guitar videos. Where do we begin? Tap tempo, customizable subdivisions with easy to use slider interface, multiple voices including human voice counting, midi and quarter inch cable input so you can practice with headphones in and still hear you guitar. Includes a handy drum hardware connection. It's top of the line but you'll never need another metronome.

The RW200 is a programmable metronome with plenty of volume and easy to use dials and plenty of volume. Built specifically for drummers but a nice substitute for the DB-90 if you want to save some coin.

If you've already got an iPhone this little app has what you need for practice. It's plenty customizable (pay the few bucks for the paid version) and has some great rhythm trainer features. Phone apps use the phone's clock which isn't good for recording but works just fine for practicing. Try the free version and make sure it's what you want.

If you've already got a phone, this little app has what you need for practice. It's plenty customizable (pay the few bucks for the paid version) and has some great rhythm trainer features. Phone apps use the phone's clock which isn't good for recording but works just fine for practicing. Try the free version and make sure it's what you want.

This is old faithful. It's been with me forever. I might be swayed by a Poly Tune 2 but I can't turn my back on this one. I'm pretty sure I could throw it full speed into a wall and it wouldn't be worse for wear.

This is my "go to" bass. I pick up a lot of basses and this is the one that If I had to take one bass to a session would be my choice for sure. It has a rich warm woody tone that you would expect from a vintage p-bass. It is a 60's reissue built with all custom american parts in Tennessee. The bass has had a relic mod which means that they beat it up on purpose so it looks like a real old bass that has been gig worn for 40 years. It has custom bolt on neck and the neck feels like it comes off a really well played old bass.

I love this bass for my organic sessions or if we have a motown vibe. It sounds thuddy and I have flat wound strings on it so no high end. The only high end tome is the woody sound of the bass which sounds a bit more like an upright bass. I love this bass for its big pillowy sound and its lack of sustain on the right songs. I also think it looks amazing!!!

I use this piece of gear when I record. It smoothes out my playing with the compression and colors the tone with the pre amp. It is an a-class piece of outboard gear and makes things sound so much better.

I feel completely at a loss if I forget this guy at home. It is the basis of all my tone. I love this pedal and have used it on most every record I have done for the last 15 years. It gives you the ability to preset 3 different tones so with a click you change your vibe. "This is a mazing Grace" by Phil Wickham is a song that has this kind of change mid song. Its also good if you play more than one bass in a gig so you can get the exact EQ you want for each instrument.

I am a sucker for these style of basses. I like the Jazz basses too and you may want to experiment with both the the Jazz and the Precision models of this bass to see which one you like more. The pickups are the biggest difference in the two models and the Jazz will give you a brighter less low mid heavy bass. For years I was a sworn fender guy because of the music that I loved growing up and the basses that were played on the amazing songs I heard from Motown to U2 to Delirious and the Police. I still love these basses and how they feel, look and sound.